P May

A selection of postcards produced by Davidson Bros entitled “The Humour of Life” from originals by Phil May. 

Photo of Phil May

Philip William May (1864 – 1903) was an English caricaturist who, with his vigorous economy of line, played an important role in moving away from Victorian styles of illustration towards the creation of the modern humorous cartoon.

Phil May was born at Wortley, near Leeds, on 22 April 1864.  At the age of twelve, in Leeds, May became friendly with Fred Fox, whose father was the scenic artist at the recently opened Grand Theatre. This gave him a free run of the theatre, where he used to sketch sections of other people's designs for costumes, as well as sketching actors' portraits for which he received a shilling, later rising to five shillings. 

Soon, May had begun to earn his living in a solicitor's office; before he was fifteen he had acted as time-keeper at a foundry, had tried to become a jockey and had been on the stage at Scarborough and Leeds. He was fond of drawing and when only fourteen years old had drawings accepted for the Yorkshire Gossip. When he was about seventeen he went to London with a sovereign in his pocket. He suffered extreme want, sleeping out in the parks and streets, until he obtained employment as designer to a theatrical costumier. He also drew posters and cartoons, and for about two years worked for the St Stephens Review, until he was advised to go to Australia for his health.

Phil May drawn by himself

During the three years (1886–1889) he spent there he was attached to The Sydney Bulletin, or The Bulletin as it was better known, for which many of his best drawings were made. He produced about 800 drawings for The Bulletin. On his return to Europe he went to Paris by way of Rome, where he worked hard for some time before he appeared in 1892 in London to resume his interrupted connection with the St Stephens Review. His studies of the London guttersnipe and the coster-girl rapidly made him famous.

His later work included some excellent political portraits. He became a regular member of the staff of Punch in 1896, and in his later years his services were retained exclusively for Punch and The Graphic. He was a founder member in 1898 of the London Sketch Club. He died from tuberculosis on 5 August 1903 at his home in St John's Wood, London.

[for more information see this Wikipedia article accessed 6/2020]

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